Ursula has been photographing her dog, Hugo, in funny costumes for more than a year, and she doesn't regret a minute of it.
Phodography was inspired by Ursula's late great-uncle, the painter Craigie Aitchison, and his beloved Bedlington Terriers that were always by his side and in his work.
Take a look at the 22 cute photos for yourself:
More info: Facebook | phodography.ltd
Clothing and props create the character
A familiar outfit or accessory can suggest a human occupation or attitude before a caption is read. The dog remains the photographic subject while the styling supplies a playful invented role. Keeping that distinction clear lets the collection work as creative portraiture without treating the scene as evidence of the animal's thoughts.
A small accessory can carry the character
A familiar hat or item of clothing supplies a role quickly, leaving the photograph room for the dog’s unplanned expression. That mixture of preparation and unpredictability gives the portrait its charm. The styling belongs to the human-made scene; it should not be confused with an account of what the animal understands.
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Craigie Aitchison and his Bedlington terriers
Craigie Aitchison (1926–2009) was a Scottish painter, born in Edinburgh, who studied law before training at the Slade School of Fine Art in London in 1952–54. He is best known for his crucifixions, and he also painted Italian landscapes and portraits, many of them of dogs. He bought his first Bedlington terrier, Wayney, at Crufts in 1971, kept the breed for about 28 years, and included the dogs in many of his paintings. He was elected a Royal Academician in 1988, won the first £30,000 Jerwood Painting Prize in 1994, and was appointed CBE in 1999. He died on 21 December 2009, aged 83.
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